Institutions and icons of patronage : arts and culture in the Philippines during the Marcos years, 1965-1986 / Pearlie Rose S. Baluyut.
by Baluyut, Pearlie Rose S [aut].
Publisher: Manila, Philippines : UST Publishing House, 2012; Manila, Philippines : UST Publishing House, 2012.Description: xii, 176 pages ; 23 cm.ISBN: 9789715066471.Subject(s): Art centers -- Philippines | Art -- History -- Philippines | Cultural Center of the Philippines (CCP) | Museum studies -- PhilippinesDDC classification: FIL 708.9599 Summary: With Institutions and icons of Patronage, Philippine cultural studies, and the critical study of culture in general, enters and important new phase in the ongoing synthesizing of theoretical, historical, and empirical investigation and scholarly inquiry. Pearlie Rose S. Baluyut masterfully articulates the complex ways in which modes of social responsibility and reciprocity continued to frame, inform, and respond to the diverse political transformations impacting artistic and cultural patronage during the Marcos years. An inspiring account of the pluralities and prismatic nature of Philippine character and its remarkable capacity to preserve and recuperate its complex and varied pasts by dynamically inventing its possible futures.| Item type | Current location | Collection | Call number | Status | Notes | Date due | Barcode | Item holds |
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STV Grade School Library Filipiniana | Reference | FIL 708.9599 B198 2012 (Browse shelf) | Available | For circulation | 003802 |
Browsing STV Grade School Library Shelves , Shelving location: Filipiniana , Collection code: Reference Close shelf browser
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| FIL 642.6 P984f 2012 Food and beverage service manual : | FIL 658.812 Sa211 2012 Creating great customer service / | Fil 700.453 R173t 2007 Teaching virtues, forming values through visual arts / | FIL 708.9599 B198 2012 Institutions and icons of patronage : | FIL 728.09599 M828 2013 Balay ukit : | FIL 790.1922 C153 2010 Games Filipinos play / | FIL 791.437 K29 2008 Storytelling on film & video : |
Includes bibliographical references (p. 162-175).
With Institutions and icons of Patronage, Philippine cultural studies, and the critical study of culture in general, enters and important new phase in the ongoing synthesizing of theoretical, historical, and empirical investigation and scholarly inquiry. Pearlie Rose S. Baluyut masterfully articulates the complex ways in which modes of social responsibility and reciprocity continued to frame, inform, and respond to the diverse political transformations impacting artistic and cultural patronage during the Marcos years. An inspiring account of the pluralities and prismatic nature of Philippine character and its remarkable capacity to preserve and recuperate its complex and varied pasts by dynamically inventing its possible futures.